You’d call it a crash the fast and the furious just call it fun. Violent content: What speeds up must slow down, sometimes very, very quickly. The obligatory nightclub scene features scantily clad dancers onstage and sexually charged dancing off-stage. (It’s assumed she’s sleeping with the drug kingpin-activity referred to as “tapping”-but the two never do more than kiss onscreen.) The camera follows Brian’s eyes as he “checks Monica out.” Two different guys touch women’s behinds one gropes, one slaps. (Roman makes quite of show of ogling the girls, tossing out rude remarks.) Monica wears revealing outfits, including a bikini. The camera zooms in for a tight shot of one woman wearing a g-string. Female hangers-on dress provocatively, baring large amounts of skin. Sexual content: Where there are souped-up cars there will always be souped-up ladies. Sure, his motives are tinged with sexual desire, but he still risks life and limb to be her shining knight. Positive elements: When beautiful, undercover Customs agent Monica Clemente finds herself exposed and in danger, Brian won’t rest until he’s saved her. “Guns, murderers and crooked cops?” retorts Roman. “Are you ready for this?” Brian asks Roman. That gives filmmakers plenty of space to stage all manner of races, chases and spills. Of course, they’ll do it posing as street racers. The two men are promised legal immunity if they’ll infiltrate the kingpin’s organization and set up a giant sting operation.
He’s paired up with first-movie survivor Paul Walker, whose character, Brian, has migrated to the Florida street scene after being fired from the L.A.P.D.
He’s easily replaced by rapper/actor Tyrese who plays Roman, a not-so-ex-con who gets handed his get-out-of-jail-free card for helping the Feds nail a big-time drug lord. Maybe that’s why I barely noticed that Vin Diesel never makes an appearance in this sequel. “We needed to repeat the excitement created by the first film, but also turn it up a few notches.” Wall-to-wall noise swallows you and your theater seat whole as roaring engines and squealing tires render human actors incidental. We knew they were ready for another film,” says producer Neal H. “Because of the incredible response to The Fast and the Furious, we knew we had struck a chord with young audiences. If The Fast and the Furious was a Thursday night “Must-See TV” commercial for illegal street racing, 2 Fast 2 Furious is its Super Bowl equivalent.
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